PDF^ Apichatpong Weerasethakul

Apichatpong Weerasethakul

Apichatpong's feature length debut, Dokfa nai meuman (Mysterious Object at Noon) is a documentary and was conceptually based upon the "exquisite corpse" game invented by surrealists. [citation needed] He co founded the production company, Kick the Machine, in 1999, and uses the company as a vehicle for his own works, alongside Thai experimental films and video.

(PDF) Itinerant Cinema: The Social Surrealism of

mentary on Apichatpong Weerasethakul's work to date leaves much to be desired. At best, it affords a survey of his feature filmography in terms of Western art cinema aesthetics, and sometimes of a ‘New Asian Cinema’; at worst, it descends into

Weerasethakul Temporalities of Apichatpong Time and Time

Time and Time Again: The Cinematic Temporalities of Apichatpong Weerasethakul By Daniel Grinberg Introduction Throughout the oeuvre of Thai director Apichatpong Weerasethakul, conceptions of time are a vital element of both the storytelling and the stories themselves. The formal manifestations and thematic components of time

(PDF) Apichatpong Weerasethakul: Primitive Project | Brian

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Learning About Time: An Interview with Apichatpong

An interview with Thai director Apichatpong Weerasethakul, winner of the 2010 Cannes Palme d'Or for his haunting feature, Uncle Boonmee Who Can Recall His Past Lives , in which he discusses the relationship between the film and a 2009 installation, The Primitive , as well as the impact of digital technology on cinema.